Weill portrays a single, green girl's helpless loneliness in a big city (it's always NYC) with such authenticity and delicacy; Susan's not selfish but only scared, of being WITH someone and making up her own calls. And that's not only the struggle of being single but also being a single woman during the 1970s after the 2nd-wave feminism movement. Yet it remains pertinent now more than ever: How hard is it to be in the counterculture when mainstream prevails? How would marriage do to friendships? What's it like to maintain the female perspective? Frances Ha's answer pales like a superficial YA novel in front of this one.
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王家卫一如继往的风格长时间的定格、慢镜头、舒缓的配乐讲述大时代里每个人的小世界随波逐流又无可奈何无论怎么看拔萝卜高清视频大全免费观看都是一部王家卫十足的片子一线天戏份很奇怪但想明白了就通顺了到底是说功夫还是说感情实在不明更不易理解点到为止是面子还是里子自己甄别吧Moods of Kongfu